Atavistic Electronics Drone + Whole Tone Scale Playing
description from "MORE INFORMATION than more people are likely to want to read"
Since these scans are copies of the original dot-matrix print-out of my mid-'90s notes, I've preserved the original ways of writing regardless of its difference from my current writing/thinking. E.G.: I now refer to middle C as "C4" & the lowest note on my 61 key keyboard as "C2" so the above intro is somewhat obsolete.
The duration followed by "@ 48" indicates the sequencer tempo at which that duration is achieved.
This CAMU (Cue Activated Modular Unit) is one of the ones I (d) composed. When I made the sequences of solo versions of the 'Official' CAMUs I picked both CAMUs that I could realize in performance by myself with the combinationof a sequence & live playing & I picked CAMUs that were somewhat representative of the whole 'Official' Project - not just of my contribution to it.
Below shows the disc of samples enlarged that I used in the playing of the 'Official' material:
- October 7, 2018 recollections from tENTATIVELY, a cONVENIENCE
tENTATIVELY, a cONVENIENCE
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to the tENTATIVELY, a cONVENIENCE (d) compositions index
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to the "FLICKER" home-page for the alternative cinematic experience
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for A Mere Outline for One Aspect of a Book on Mystery Catalysts, Guerrilla Playfare, booed usic, Mad Scientist Didactions, Acts of As-Beenism, So-Called Whatevers, Psychopathfinding, Uncerts, Air Dressing, Practicing Promotextuality, Imp Activism, etc..
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