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description from "MORE INFORMATION than more people are likely to want to read"
Since these scans are copies of the original dot-matrix print-out of my mid-'90s notes, I've preserved the original ways of writing regardless of its difference from my current writing/thinking. E.G.: I now refer to middle C as "C4" & the lowest note on my 61 key keyboard as "C2" so the above intro is somewhat obsolete.
The duration followed by "@ 48" indicates the sequencer tempo at which that duration is achieved.
This CAMU (Cue Activated Modular Unit) is one of my favorites of the ones I composed. I still use it, 27 or so years later, as an example of a complex asymmetrical rhythm that I can play from memory. When I made the sequences of solo versions of the 'Official' CAMUs I picked both CAMUs that I could realize in performance by myself with the combination of a sequence & live playing & I picked CAMUs that were somewhat representative of the whole 'Official' Project - not just of my contribution to it.
Below shows the disc of samples enlarged that I used in the playing of the 'Official' material:
- October 20, 2018 recollections from tENTATIVELY, a cONVENIENCE
idioideo at verizon dot net
to the tENTATIVELY, a cONVENIENCE (d) compositions index
to the tENTATIVELY, a cONVENIENCE Audiography page
to the tENTATIVELY, a cONVENIENCE as Interviewee page
to the tENTATIVELY, a cONVENIENCE as Interviewer index
to the tENTATIVELY, a cONVENIENCE movie-making "Press: Criticism, Interviews, Reviews" home-page
to the "tENTATIVELY, a cONVENIENCE - Sprocket Scientist" home-page
to the "FLICKER" home-page for the alternative cinematic experience
to find out more about why the S.P.C.S.M.E.F. (Society for the Prevention of Cruelty to Sea Monkeys by Experimental Filmmakers) is so important
for info on tENTATIVELY, a cONVENIENCE's tape/CD publishing label: WIdémoUTH
to see an underdeveloped site re the N.A.A.M.C.P. (National Association for the Advancement of Multi-Colored Peoples)