In 1986, when I got my 1st tattoo, tattoos weren't anywhere close to being as common as they are now. 'Normal' people didn't get them. Women almost never had them. Marines had "Semper Fi" tattooed on their upper arm - that sort of thing.

I was living in BalTimOre at the time & there were very few tattoo shops & they were widely spread apart from each other. The tattooist I chose was Juli Moon in an area south of the city called Glen Burnie.

My 1st 3 tattoos were a series called "It's Not A Matter of Life & Death". The 1st (1986) was a DNA spiral connecting my navel to my cock representing life, the 2nd (1986) was crossed bones across my chest representing death, the 3rd (1987) was a 3D brain on my head representing the transcendental power of thoughtfulness.

In 1989, the "Modern Primitives" issue of Re/Search magazine came out. I was scheduled to be in the issue represented by a picture of me getting my brain tattoo. I'd previously respected Re/Search, especially for their book-like releases: #4/5: "William S. Burroughs / Throbbing Gristle / Brion Gysin" (1982), #6/7: "Industrial Culture Handbook" (1983), #8/9: "J. G. Ballard" (1984), & #11: "Pranks!" (1987). I hadn't particularly liked #10: "Incredibly Strange Films" (1986) because I didn't find many of the films to be "incredibly strange" at all in contrast to what I considered to be the substantially more imaginative & original experimental films that weren't represented.

Alas, even though I'd been told that my picture would be in "Modern Primitives" it wasn't there & I admit to being disappointed. I don't know why it didn't make the cut but I've always suspected that it was because the picture I submitted was of me getting the tattoo in which I had a preparatory drawing of the brain on my head instead of the actual tattoo. Perhaps the editor(s) thought it was a prank.

After seeing the issue, I realized that I didn't really 'belong there' anyway. I had no desire whatsoever to be a 'Modern Primitive', I wasn't trying to associate myself with initiatory rituals, with tribalism, &/or with Sado-Masochism. As I explained to many people, some people "wear their heart on their sleeve" (ie: show their emotions) & I "wear my brain on my head" (ie: show that I like to think).

By 1989, Re/Search had become quite successful as a subcultural phenomena. What Re/Search endorsed became trendy. Hence, from my perspective, tattoos & piercings became more & more fashionable under Re/Search's influence. Alas, for me, this opened the floodgates of conformist thoughtlessness.

As for my tattoos? I try to make every one different in form & content & to have there be an innovation involved. It's important to me that the content have substantial personal significance, I avoid Flash, ie: imagery prefabricated to be tattoos, the type of imagery that's displayed on tattoo parlor walls for people with no ideas of their own to pick out.



1986 crossed bones

1987 3D brain

1990 scar tattoos

1991 glow-in-the-dark dustmite

1998 splotches

2002 Archibras

2004 Paradigm Shift Knuckle Sandwich

2008 Human Time Bomb




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