108. Easter Island Bunny Booed Usic

- Hourhaus, Baltimore, us@

- April 19, 1987

- This was the 1st presentation of mine in which the simultaneous film & vaudeo (& booed usic) were of a substantially planned inter-relation. This was also my 1st collaboration with instrument-maker & player Neil Feather who was to be1 of my main collaborators over the next 7+ years. It was also the last of the "strictly booed usic" type of shows. The booed usicians: Neil Feather (vibulum, former guitar), John Sheehan (drums, horn guitar), myself (tapes, records, radios). Despite the complexity & diversity of this event, I once again became reputed to be something along the lines of "the guy who does shows about him fucking a bunch of girls". (Not intended to be) Flattering(?), but not particularly accurate.

- recollections from tENTATIVELY, a cONVENIENCE


109. Generic As-Beenism

- Ultimatum II, Montréal, CacaNada

- Sunday, September 13, 1987

- A substantial extension of the more precise synchronization between all simultanieties begun somewhat with "Easter Island Bunny Booed Usic". This was divided into 4 parts:

1. Generic As-Beenism

2. Bird-Brain-ism

3. Tattoos

4. booed usic

Slides were shown on the audience's left, vaudeo was projected in the middle, & a super-8 mm film was shown to the audience's right. The audience was given "3-D" glasses especially made for the occasion (1 green lens (instead of the usual blue) & 1 red). I was wearing an inverted soft-shell cello case with 1 of my legs in the neck & 1 sticking out of a hole cut next to the neck. It looked like a cave-man costume. The slides were primarily text - the same text that appeared in the vaudeo (more briefly) both visually & audibly. The text was in both French & English (French translation by Andy Laken). All 3 projections contained recurring images - with the central projection having elements of the 2 flanking ones occurring around the same times. The slide projector had a polaroid filter in it between the slides & the lens & some of the slides were prepared with special tapings so that when a revolving polaroid filter was set in motion in front of the lens the colors of the slides would change. Shortly before this show (subtitled "usefulofshitlessness") the same person who had labelled me a "pornographer disguising himself as an artist" threw my box of slides in the trash - which I fortunately managed to retrieve (this same person vastly enjoyed another apparently "non-sexist" performance in the same festival in which the 2 main features of the video presented were strippers swinging around big tits & guys pretending to play big cardboard guitars - a true breakthrough in sexual roles! - I guess she just wanted to fuck him & found me too scary). During the "Bird-Brain-ism" section, Laura Trussell came on stage wearing a back brace with moving motorized wings mounted on it & began cutting the wig I'd been wearing - eventually pulling it off to reveal a "frame-of-reference" shape underneath (see mention of the same in the Ear Inn reading description) which she then shaved off. Ultimately revealed was my "3-D" brain tattoo. During the following "Tattoos" section, I meandered thru the audience with a flashlight aimed at my head so that the audience could look at the tattoo closely with the "3-D" glasses. Each section had narrative content E.g.: in the 1st section I explained its title by saying "..I decided to call "it" GENERIC AS-BEENISM - thinking that whether i'd manage to present something that gets to the essence of my interest in subverting "reality" or merely succeed in presenting something that has no substantial individuality i will, at least, succeed in "COVERING MY ASS."" & in the 2nd section I concluded with "There is a religious myth of winged homonids as beings on a higher evolutionary plane than non-winged homonids. It should be obvious by now that these beings, commonly called angels, should more properly be called Bird-Brains." & in the conclusion of the 4th section I stated "- therefore, if you dislike the way that [we] use the materials of this presentation i can simply claim that that is my intention.. - or, if you like our USIC, i can claim that you have BOOED my use of the term.." John Berndt played DX-7 & SPX-90 thruout. Thanks to Boris Wanowitch for being host & projectionist.

- recollections from tENTATIVELY, a cONVENIENCE


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