1992. Cassette Mythos

review of

Robin James' Cassette Mythos

by tENTATIVELY, a cONVENIENCE - February 10, 2011

http://www.goodreads.com/book/show/1961906.Cassette_Mythos

 

Robin James, the editor of "Cassette Mythos", definitely knew his shit. I wonder if most people have forgotten about this since Thurston Moore's "Mix Tape: The Art of Cassette Culture" came out 13 yrs later. I hope not. Just the title of Moore's bk is an immediate give-away: "mix tapes" are the lowest common denominator language of the uncreative just as "bands" & "songs" are: cassettes conceived of as just a medium for putting together yr favorite SONGS by yr favorite BANDS - a consumer activity w/ barely any originality involved. "Cassette Mythos", on the other hand, is about the home taper scene that was ORIGINAL - the people who made their own music, made tape multiples b/c it was cheaper than making records since the tapes cd be made "on demand" (as is sd these days), packaged the tapes, & sent them out in trade to other like-minded people & to those not-totally-rare-in-the-1980s magazines that wd review them.

"Cassette Mythos" came w/ a CD &/or a K7. This was the 1st CD compilation I was on. I contributed 2 pieces: a short 4 track piece using conventional instruments & a long recording of clothes that I'd made entirely out of zippers bouncing around in a clothes dryer. [apparently, one can download a long mp3 version of this on multiple sites but I don't trust any of them enough to provide a link here] This latter piece was, perhaps, 45 minutes long in its entirety but I selected a short excerpt from it for the editor(s) to use if so inclined. Much to my astonishment (& the consternation of at least some of the people rejected) they used a much longer selection. To me, it sounds like a Xenakis piece & it IS an example of stochastics in some way or another.

This bk, & the recording, really does represent, for me, some of the most creative work in the home taper underground. No mix tape consumerism here. These were the people who were making it happen: John Oswald, John Foster, Eugene Chadbourne, Annea Lockwood, Sue Ann Harkey, Qubais Reed Gazala, Gen Ken Montgomery, Al Margolis, John Trubee, Cyrnai, Mike Gunderloy (a human encyclopedia if there ever was one!), Karen Eliot, John Hudak, Miekal And, etc..

My own primary article is about my "Portable booed usic Busking Unit" - a suitcase containing a battery-powered CONCRETE MIXING studio that enabled me to do live electroacoustic guerrilla performances that used not only pre-made K7s (& other sound sources) for this purpose but ALSO K7s used as vaudeo thanks to the Fisher-Price PXL camcorder. [a sample of one of the latter can be witnessed here: https://youtu.be/gVqpSGYVAbo ]

 

 

 

 

tENTATIVELY, a cONVENIENCE

idioideo at verizon dot net

 

to the tENTATIVELY, a cONVENIENCE Anti-Neoism page

to the tENTATIVELY, a cONVENIENCE Audiography page

to the tENTATIVELY, a cONVENIENCE Bibliography page

to my "Blaster" Al Ackerman index

to the tENTATIVELY, a cONVENIENCE BYOC page

to the tENTATIVELY, a cONVENIENCE Censored or Rejected page

to tENTATIVELY, a cONVENIENCE's Collaborations website

to the tENTATIVELY, a cONVENIENCE (d) compositions page

to Amir-ul Kafirs' Facebook page

to the "FLICKER" home-page for the alternative cinematic experience

to Gifs made by Ryan Broughman

to tENTATIVELY, a cONVENIENCE's GoodReads profile

to Graffiti index

to the tENTATIVELY, a cONVENIENCE Home Tapers

to the tENTATIVELY, a cONVENIENCE index page

to tENTATIVELY, a cONVENIENCE'S minimal International Union of Mail Artists page

to a listing of tENTATIVELY, a cONVENIENCE's manifestations on the Internet Archive

to the tENTATIVELY, a cONVENIENCE as Interviewee index

to the tENTATIVELY, a cONVENIENCE as Interviewer index

to tENTATIVELY, a cONVENIENCE'S Linked-In profile

for A Mere Outline for One Aspect of a Book on Mystery Catalysts, Guerrilla Playfare, booed usic, Mad Scientist Didactions, Acts of As-Beenism, So-Called Whatevers, Psychopathfinding, Uncerts, Air Dressing, Practicing Promotextuality, Imp Activism, etc..

to the mm index

to see an underdeveloped site re the N.A.A.M.C.P. (National Association for the Advancement of Multi-Colored Peoples)

to tENTATIVELY, a cONVENIENCE's Neoism page

to the DEFINITIVE Neoism/Anti-Neoism website

to the Philosopher's Union website

to the tENTATIVELY, a cONVENIENCE movie-making "Press: Criticism, Interviews, Reviews" home-page

to tENTATIVELY, a cONVENIENCE's Score Movies

to SMILE

to find out more about why the S.P.C.S.M.E.F. (Society for the Prevention of Cruelty to Sea Monkeys by Experimental Filmmakers) is so important

to the "tENTATIVELY, a cONVENIENCE - Sprocket Scientist" home-page

to the Tattoos index

to Psychic Weed's Twitter page

to tENTATIVELY, a cONVENIENCE's Vimeo index

to Vine movies relevant to tENTATIVELY, a cONVENIENCE made by Ryan Broughman

to tENTATIVELY, a cONVENIENCE's presence in the Visual Music Village

for info on tENTATIVELY, a cONVENIENCE's tape/CD publishing label: WIdémoUTH

to a very small selection of tENTATIVELY, a cONVENIENCE's Writing

to the onesownthoughts YouTube channel